St. Petersberg
The
present St. Isaac’s Cathedral, austerely regal by day and ominously imposing by
night, is the fourth largest domed cathedral in the world. The dome of the
largest church in St. Petersburg is covered with 100kg of pure gold and dominates the city’s skyline. Taking 40 years
to build, (1818-1858) a Frenchman spent his entire lifetime on the project, and
died one month after its completion. Granite Finnish pillars, a 30,000-ton
edifice, gray marble exterior, red granite colonnades, gold covered domes, and
bronze statues make for a stunning structure that can accommodate 14,000
people. The cost to build the cathedral was ten times that of the winter
palace.
The first wooden
church burned. The second church, also wooden, was built at the present site of
the Peter the Great statue. Water undermined that church and it fell into
ruins. Catherine the Great commissioned the third church on the present site.
However, when she died it was only half finished and her son, in revenge, never
finished the building, so it was 40 years before the church was completed. A total
of 24,000 pilings support the church!
The church was an
active one until 1932 when it became a museum. In contradiction to Russian
Orthodoxy St. Isaac’s contains 600 golden sculptures. Built with three aisles,
the golden chandeliers hold many candle lights. An arch joins the large main columns. The icons on the iconostasis are actually mosaics as weather
destroyed the painted icons before they were completed.
The marble columns are
not covered with frescos. In the center of the marble floor is a large mosaic,
then the rest of the floor is done in marble stripes. Immediately on each side
of the iconostasis altar door is a lapis column, then three large malachite
columns stand on each side of the lapis columns.
The acoustics in the
church are perfect. All outside doors are large and heavy. The heavily carved relief
door weighs 10 tons.
The church was named
St. Isaac’s because Peter the Great was born on May 30 which is the day of St.
Isaac. The interior, with its 14 varieties of marble, generous touches of jasper, malachite,
gilded stucco, and many frescos, mosaics and murals, which are the major attraction.
The lovely stain glass and the carved white marble iconostasis also are of
special note.
St. Isaac’s is an exception, but
one almost can say if you’ve seen one Russian Orthodox church you’ve seen them
all, as they follow a definite décor theme and layout. This one was mind boggling and
exceptionally beautiful.
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